Recommended, New, Signed
RECORD No.59
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Signed
・Estimated shipping date: mid-Feb, 2025
(...) My own photo magazine Record is in its 19th year since relaunch, now getting to No. 59 in total. It was at Café Huit on top of a building in the middle of Shinjuku that has long gone, where I received a strong request from Mr. Akio Nagasawa, the current publisher, to relaunch that handmade and privately pressed zine that had failed and folded after the 5th issue, some 30+ years earlier. “Come on Moriyama-san, keep putting that Record out! I will make it, let’s start right away!” Those words, in that moment, revived my memories of the magazine that I had all but forgotten about, and all of a sudden I could see it right in front of me, shining in a bright new light. Without unnecessary ado, Mr. Nagasawa said “Okay, all you do is send me the photos you are taking these days, whenever you feel like it. Then we’ll just put them all in Record, and I won’t meddle with it.”
For the next 19 years, most of the snapshots taken during the second half of my photographing life (except for the somewhat “commercial” stuff that sneaks in every now and then) have been collected in Record. Even the pictures that I brought home from travels and shootings abroad, ended up getting published in the form of one issue of Record. In other words, all of the myriad scenes of everyday life that I have captured with my camera in the later years of my life, have been converted into pages in that magazine, which means that everything in Record is a memory, a souvenir, a record in itself.
I really appreciate your enthusiasm, Mr. Nagasawa!
As long as my own spirits are high and my legs carry me, I will certainly keep on shooting.
From afterwords by Daido Moriyama (a part)
- Size
- 280 x 210 mm
- Binding
- Softcover
- Pages
- 120
- Publication Date
- Feb 14, 2025
- Publisher
- Akio Nagasawa Publishing
Daido MORIYAMA
森山大道
Born 1938 in Osaka. After working as an assistant for photographers Takeji Iwamiya and Eikoh Hosoe, he went independent in 1964. He has been publishing his works in photography magazines among others, and received a New Artist Award from the Japan Photo Critics Association for Japan: A Photo Theater in 1967. Between 1968 and ’70 he was involved in the photo fanzine Provoke, and his style of grainy, high-contrast images that came to be referred to as “are, bure, boke” (grainy, blurry, out-of-focus) made an impact on the realm of photography. Solo shows at New York’s Metropolitan Museum of Art and the Fondation Cartier pour l'Art Contemporain in Paris solidified Moriyama’s worldwide reputation, and in 2012, he became the first Japanese to be awarded in the category of Lifetime Achievement at the 28th Annual Infinity Awards hosted by the International Center of Photography (ICP) in New York. The “William Klein + Daido Moriyama” exhibition together with William Klein at London’s Tate Modern in 2012-13 was a showdown of two immensely popular photographers that took the world by storm.
Publications of Daido MORIYAMA
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View from the Laboratory (Special Edition) B / A.P.
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View from the Laboratory (Special Edition) A
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Memories of a Dog (Deluxe Edition with print)
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TOKYO REVISITED: Daido Moriyama with Shomei Tomatsu
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TOKYO POLYTECHNIC UNIVERSITY Shadai Gallery Daido Moriyama Archive 1960 − 1982
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TIGHTS IN SHIMOTAKAIDO (Special Edition) C
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TIGHTS IN SHIMOTAKAIDO (Special Edition) B
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Limited Edition Portfolio of 10 Silkscreen Prints "Odasaku"
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RECORD Extra Issue No.1 [Daido Moriyama x Hajime Sawatari]
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RECORD Extra Issue No.1 [Daido Moriyama x Hajime Sawatari] (Special Edition)
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Prints of Daido MORIYAMA
