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Signed&Numbered / Limited Editions of 600 / Cover of Silkscreen-Printed on Canvas
(...) When I arrived in Sapporo in June, it was so cold that the light purple clusters of lilac in the alleys and under the eaves were trembling in the cold air. While other parts of Japan had entered the rainy season, here the wind just kept blowing for days on end, and the streets and avenues were tinted white instead. Keeping the promise that I had firmly made to myself, I grabbed my camera every morning and took to the streets, with the regularity of an office worker, and no intention to meet any friend or acquaintance. I spent most of these three months on my own. Other than the very basic daily conversations – buying a ticket at the station, ordering a coffee, or making the occasional phone call – I was just keeping my mouth shut. I soon ran out of sleeping pills, and as I didn’t drink, all I could do was spend the long nights reading books. The daily photo shootings weren’t really fruitful, and there I was, sitting in my freezing apartment, at my wit’s end with my progressing mix of depersonalization, aphasia and insomnia. So as, in other words, my lifestyle was from the very onset based on that fawning, illusional idea of escape and isolation, my only justification that was taking photographs, was easily reversed from the true intention that it used to be, to mere pretense. Those days of feeling guilty went by one after another, and before the summer ended, I decided to go back to Tokyo. At the end of the day, I haven’t made any progress whatsoever, but what I do have, as a proof of my endless walks to miscellaneous places, are 250 used rolls of film.
– from afterword by Daido Moriyama
- Book Size
- 217 x 303 mm
- Pages
- 72
- Printing
- Softcover
- Publication Date
- Oct. 22, 2022
- Publisher
- Akio Nagasawa Publishing
Daido MORIYAMA
森山大道
Born 1938 in Osaka. After working as an assistant for photographers Takeji Iwamiya and Eikoh Hosoe, he went independent in 1964. He has been publishing his works in photography magazines among others, and received a New Artist Award from the Japan Photo Critics Association for Japan: A Photo Theater in 1967. Between 1968 and ’70 he was involved in the photo fanzine Provoke, and his style of grainy, high-contrast images that came to be referred to as “are, bure, boke” (grainy, blurry, out-of-focus) made an impact on the realm of photography. Solo shows at New York’s Metropolitan Museum of Art and the Fondation Cartier pour l'Art Contemporain in Paris solidified Moriyama’s worldwide reputation, and in 2012, he became the first Japanese to be awarded in the category of Lifetime Achievement at the 28th Annual Infinity Awards hosted by the International Center of Photography (ICP) in New York. The “William Klein + Daido Moriyama” exhibition together with William Klein at London’s Tate Modern in 2012-13 was a showdown of two immensely popular photographers that took the world by storm.
Publications of Daido MORIYAMA
Special Edition Rare Signed
View from the Laboratory (Special Edition) B
Daido MORIYAMA
Out of Stock
New Signed
Provocative Relationship=MORIYAMA Daido x NAKAHIRA Takuma
Daido MORIYAMA, Takuma NAKAHIRA
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Special Edition Hot Rare Signed
Memories of a Dog (Deluxe Edition with print)
Daido MORIYAMA
$2,487.56
Recommended Signed
TOKYO REVISITED: Daido Moriyama with Shomei Tomatsu
Daido MORIYAMA, Shomei TOMATSU
$35.54
Signed
TOKYO POLYTECHNIC UNIVERSITY Shadai Gallery Daido Moriyama Archive 1960 − 1982
Daido MORIYAMA
Out of Stock
Recommended Special Edition Signed
TIGHTS IN SHIMOTAKAIDO (Special Edition) C
Daido MORIYAMA
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Recommended Special Edition Signed
TIGHTS IN SHIMOTAKAIDO (Special Edition) B
Daido MORIYAMA
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Special Edition Signed
Limited Edition Portfolio of 10 Silkscreen Prints "Odasaku"
Daido MORIYAMA
$355.37
Rare Signed
RECORD Extra Issue No.1 [Daido Moriyama x Hajime Sawatari]
Daido MORIYAMA, Hajime SAWATARI
$42.64
Special Edition Rare Signed
RECORD Extra Issue No.1 [Daido Moriyama x Hajime Sawatari] (Special Edition)
Daido MORIYAMA, Hajime SAWATARI
$1,066.10
Prints of Daido MORIYAMA
